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REEL XIII · ANNO 2001 · PÉCS

CZINEGE/
ALEXANDRA

interior architecture — Pécs

◉ ANNO 2001  ·  BARANYA · HU  ·   · 

7Domb Apartment — duplex space with a turquoise sofa and a red tiled stove
SCREENING · I

7DOMB

· APARTMENT
KOMLÓ · ANNO 2019

“The first property in Komló to be designed for Booking.”

DETAILS ▶ ▶ ▶
01
ASG Beauty Salon — powder pink wall, black-framed glass partition, Manicure & Pedicure lettering
SCREENING · II

ASG BEAUTY SALON

· BEAUTY SALON
KOMLÓ · ANNO 2019

“Powder pink, concrete, black outlines, reflection.”

DETAILS ▶ ▶ ▶
02
Art-Innova showroom — furniture board samples on wall shelving, Egger branding
SCREENING · III

ART-INNOVA

· SHOWROOM
KOMLÓ · ANNO 2018

“This is where my many Komló projects come from — and I love every single one of them.”

DETAILS ▶ ▶ ▶
03
Inkubátorház — pyrogranite wall, dark green upholstered bench seating, branching chandelier
SCREENING · IV

INKUBÁTORHÁZ

· CORPORATE EVENTS ROOM
KOMLÓ · ANNO 2021

“I was able to reuse the pyrogranite cladding rescued from the building, reinterpreted for today.”

DETAILS ▶ ▶ ▶
04
Komló Library — miners' fresco in the adult library, oak shelving, chevron parquet
SCREENING · V

KÖNYVTÁR

· UNIFIED MUSEUM COLLECTION
KOMLÓ · ANNO 2021–2024

“The fresco has been restored and is now a worthy jewel of the space.”

DETAILS ▶ ▶ ▶
05
Komló Museum hall — mine-timbering gateway, terrazzo-style porcelain stoneware floor, circular chandelier
SCREENING · VI

MÚZEUM

· UNIFIED MUSEUM COLLECTION
KOMLÓ · ANNO 2021–2024

“In the hall, I drew on mine timbering as a local emblem, reinterpreting it and shaping it into a gateway.”

DETAILS ▶ ▶ ▶
06
Kaptár Cultural Centre — entrance hall with yellow honeycomb seating, staircase, photo exhibition
SCREENING · VII

KAPTÁR

· CULTURAL CENTRE
KOMLÓ · ANNO 2021–2023

“From the entrance, the honeycomb. From the honeycomb, the community. From the community, the cultural centre. The name Kaptár — beehive — is no accident.”

DETAILS ▶ ▶ ▶
07
Kaptár Auditorium — oak hexagonal acoustic panels behind the stage, yellow tip-up seats, telescopic seating
SCREENING · VIII

ELŐADÓTEREM

· KAPTÁR CULTURAL CENTRE
KOMLÓ · ANNO 2021–2023

“The telescopic system allows the space to be a theatre and a concert hall at once.”

DETAILS ▶ ▶ ▶
08
Mikszáth Street — double-height living room, cream curved sofa, black bouclé poufs, brass globe chandelier
SCREENING · IX

MIKSZÁTH UTCA

· THREE-STOREY FAMILY HOME
PÉCS · ANNO 2024

“Deep blue is the colour of timeless elegance. The dialogue between fabric and wood creates an intimate space.”

DETAILS ▶ ▶ ▶
09
VándorLó Guesthouse — rustic farmhouse kitchen with mosaic tiles, timber-beamed ceiling, brick floor, white dining table
SCREENING · X

VÁNDORLÓ

· GUESTHOUSE
KISBATTYÁN · ANNO 2024

“An authentic, renovated farmhouse that has kept its rustic charm while offering modern comforts for 6 guests.”

DETAILS ▶ ▶ ▶
10
Agora Apartment — bright red sofa bed, cream bouclé armchairs, abstract poster wallpaper, wire-frame pendants
SCREENING · XI

AGORA

· APARTMENT
PÉCS · ANNO 2024

“The tiled floors stay, and so does the kitchen — but everything else has come to life. The client's bright red sofa bed became the star of the space.”

DETAILS ▶ ▶ ▶
11
Zöld Béka Guesthouse — café space, deep green ceramic wall, white arched passageway, woven pendants, Persian rug
SCREENING · XII

ZÖLD BÉKA

· GUESTHOUSE & CAFÉ
SIKONDA · ANNO 2022

“The arched passageway is the heart of the guesthouse. The deep green ceramic ties it to nature, the form to tradition.”

DETAILS ▶ ▶ ▶
12
CAADEX site atrium — walnut diagonal-stripe accent, travertine cladding, steel-framed reception desk, yellow velvet armchair
SCREENING · XIII

CAADEX

· SITE & OFFICE BUILDING
KOMLÓ · ANNO 2022–2023

“Creating an arrival, an entrance in the atrium that is elegant and timeless, and that could incorporate the stainless steel profiles the client favours.”

DETAILS ▶ ▶ ▶
13
THE END · END SLATE · FINIS

I LOVE
MY WORK.

Interior architecture — Pécs. Twenty-five years of public buildings, family homes and hospitality spaces. A long-standing bond with the Art-Innova workshop.

— CZINEGE / ALEXANDRA
2001 — 2026

WEBDESIGN · MD davidmatraberci@gmail.com
ABOUT ME · ANNO 2001

ABOUT ME.

I have been working in interior architecture since 2001. I spent my first eight years at an interior design studio in Pécs — it was in those few years that I came to know the beauty of the profession, the structure and flow of a project, and what it really means to work as part of a team. Back then the studio also worked hand in hand with a joinery workshop, so I got to know materials and furniture construction at first hand.

After my two children were born, the studio changed direction and closed its interior architecture practice — since then I have worked freelance, running my own business from home. At the same time as the studio closed, I began working with Art-Innova, a joinery company in Komló that I consider the most professional and up-to-date workshop in the region. That was more than 12 years ago — which is where my many Komló projects come from.

Alongside a sensitivity to people's needs, the knowledge and experience I have gained over the years allow me to make the dreams of those who come to me come true — or at least to try.

My design work ranges from private commissions to commercial investments. Design is a series of decisions, complex problem-solving: bringing needs, function, aesthetics and the available budget into harmony — and coordinating the work of the architect, the fellow consultants and the contractors.

WORKFLOW · FROM CONCEPT DESIGN TO COMPLETION

THE PROCESS.

I.

Concept Design

Defining the client's needs

A personal conversation, an interview. A precise assessment of needs, mapping and understanding the client's world and way of life.

Preparing the master plan

The master plan contains the furnished floor plan with alternatives, which I develop at the very start of the design process from how the rooms work and how they relate to one another. The entire build rests on a well-functioning floor plan.

Creating visualisations

Once the layout has taken shape, I work out the spatial views in computer visualisations; where several floor plan versions are in play, I produce visualisations as early as the concept stage, because seeing the space helps the decision.

Finalising and approving the concept design

The concept design already shows how the interior will work and look, and it includes the floor finish, plasterboard, lighting and basic building services layouts, with which the client can approach the trades.

II.

Construction Documentation Stage

Developing the concept design

I fill the approved concept design with technical content — demolition, construction, finishes, lighting and bespoke furniture drawings, and details — so that it can be built unambiguously by the tradespeople. At this stage I work closely with the fellow consultants: the building services engineer and the electrical designer. As the designer I have a complete overview of the whole process and can handle the building in its full context.

Working out further details, specification schedule

In parallel with developing the concept design, we define the fine details together with the client: we select the finishes and the lighting, devise the bespoke furniture and fix the use of materials. I give the proposed surfaces, finishes, fittings, sanitaryware, lights and off-the-shelf furniture a specification reference — these also form part of the design. This completes the construction documentation, which is then printed, including the specification schedule.

III.

Construction · Procurement · Project Follow-up

I do not work with a fixed construction team — the client brings the trades; when it comes to choosing joiners, I work with a wider range of references.

My offer includes consultations before the drawings are handed over, a design briefing coordinated with the trades after handover, and my personal involvement in any purchasing in Pécs. Depending on the client's needs, I support the build on site by answering questions as they arise and by checking that the technical content and quality are delivered. But I do not act as site manager.